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Concentration Versus Relaxation in Relation
to Telepathy
GARDNER MURPHY AND L, A. DALE
In all the years of search for the psychological founda-
tions of telepathy, the investigator has found himself caught
between opposing counsels: shall he seek to develop in his
cooperating subjects the attitude of concentration—tense and
strenuous prosecution of a task—or of relaxed, dissolved,
sleep-like passivity? There is a large amount of good evi-
dence that the state of concentration is favorable to positive
results; there is an equally formidable mass of evidence
that positive results spring from relaxation. This is no
formal academic question. Every step taken in research
depends upon the psychological condition one is striving to
induce; and what one should strive to induce is dictated
chiefly by one’s interpretation of the large body of existing
data. Scientific work is seldom advanced by beginning each
investigation as if all that went before were merely so much
history ; it is the nature of science to build cooperatively upon
foundations laid before.
It may therefore prove valuable for immediate telepathic
research if we can bring into sharper focus the critical
studies dealing with concentration and relaxation, showing
what sort of results have arisen from each condition. In-
deed, we may hope, as in the case of most questions which
we put to Nature, that the paradox will prove to lie in our
conceptions and phraseology, and that behind the apparent
contradiction a fairly coherent situation may be discovered.
We will first review some of the evidence that concentra-
tion is favorable. Just as the Oriental who seeks esoteric
wisdom learns by arduous disciplines to concentrate, shutting
out the affairs of the world in order to give himself wholly
to single-minded contemplation, so the Occidental scholar,
executive, physician, or school-child learns to work in a
state of concentrated attention to a single absorbing task.
Concentration Versus Relaxation [3
Modern science and technology, and the Occidental mind
which has shaped and been shaped by them, are the products
of focalized, realistic thinking about a series of sharply
defined problems. Archimedes was so concentrated on the
problem of ascertaining the amount of gold in Hiero’s
crown that, when the solution came to him as he was stepping
into his bath, he ran home unclothed shouting, “I have
found it, I have found it!” And when he was drawing
geometrical figures in the sand one day he was set upon by
Roman soldiers and fatally stabbed, saying to the soldiers
as he fell, “Don’t spoil my circle.” It is said that a few
hours after the midday meal Newton could not remem-
ber whether he had dined or not, and Gauss would not
come down from his attic for forty-eight hours at a stretch
when he was completing his mathematical computations.
Such concentration was what Dryden had in mind when
he wrote that “great wits are sure to madness near allied.”
Johannes Miiller, the German physiologist, comes from his
laboratory like a gunner from his turret, saying, ““The work
draws blood.”
Our American intelligence, whetted by three centuries of
conquering the soil and exploiting the new technology, has
in fact tended to despise every psychological process which
is not concentrated upon a practical task. “Wake up”; “Put
your mind to it”; “Genius is 99 percent perspiration.” The
familiar phrase, “Nonsense, you’re dreaming,” illustrates
‘ the contemporary attitude as to the utter worthlessness of
less concentrated mental states.
At first sight, then, we should expect to find our American
parapsychological laboratories concerning themselves almost
wholly with problems of the tense, attentive organism, and
emphasizing the virtues of concentrated voluntary effort.
In Rhine’s Extra-Sensory Perception (1) we find that most
of the experimental subjects are clearly concentrated upon
their task; when upset by discordant emotion or by distrac-
tion, they fail, Whether voluntarily or by force of habit,
they fall into states of intense focalization upon their task.
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One thing introduced experimentally to damage good per-
formance is a hypnotic drug, sodium amytal, which behaves
as expected both in injuring concentration and in depressing
the Scores ; and the thing that brings the subject back to his
high scoring level is the stimulant caffeine; he “pulls himself
together,” frees himself of disorientation. And we find
subjects deliberately undertaking to make a specially high
score, achieving the result by herculean efforts of concentra-
tion—almost like the superhuman concentration reported
by the celebrated clairvoyant Ossowiecki in his reading of
concealed materials (2).
In the Journal of Parapsychology we learn that Riess’s
high-scoring subject (3) was a hyperthyroid patient, and
we know that the thyroid, up to a point at least, is a facili-
tator, activator, rather than a depressant or relaxing agent.
We learn, moreover, that Stuart’s subjects scored poorly
when the tempo of work “distracted” them, and that the
flashing of light in their eyes was markedly inhibitory
(4 and 5). The good results of children, as in Mrs. Rhine's
experiments (6), appear to be attributable in some measure
to freedom from self-consciousness, and perhaps to their
capacity for undivided attention to the task.
The case is certainly well-documented, broadly founded
and inherently consistent and rational. Why, then, do wis
find in the history of our subject at least as large a volume
of evidence that the task of achieving telepathic contact is
the function of a deep, unfocalized unconscious or subliminal
self, whose chief enemy and represser is the concentrated
conscious self of waking life? We are perennially warned
that the practical conscious mind will have no traffic with
those processes which seek to slip from the tight hold of
our workaday sense of reality, with its sharply defined time
and space, its logical rejection of every intimation of a
process working by means which transcend the senses; the
concentrated conscious mind must be dissolved, drugged
disarmed, obliterated—anything to get it out of the way
so that another kind of process may be set free!
Concentration Versus Relaxation [5
Thus, in the first great study of spontaneous telepathy,
the classic Phantasms of the Living, Gurney, Myers, and
Podmore report an extraordinary number of cases in which
the percipient is drowsy, delirious, hypnotized, or dream-
ing; the dream cases are so numerous, indeed, that they
require special treatment. In a later analysis of this and
other spontaneous material, Warcollier (7) shows that in
general the sleeping and near-sleeping states (including the
process of going to sleep and that of waking up, along with
states of suffocation, coma, and the like) contribute a large
proportion of the evidential cases—indeed that the sleep-like
condition of agent, or percipient, and especially of both, is
a cardinal asset. This hardly looks like “concentration.”
Some striking examples of apparent telepathic communi-
cation between two sleeping persons may be found in Dr.
G. B. Ermacora’s paper, “Telepathic Dreams Experiment-
ally Induced.” (Proc. S.P.R., Vol. XI, 1895, pp. 235-308. )
This long and rather complicated series of experiments
should be studied in full; briefly, the paper is concerned with
the dreams of ‘a four and a half year old child who lived
with a cousin possessing unusual mediumistic abilities. The
medium’s control, “Elvira,” with whom Dr. Ermacora was
in rapport, professed to produce in the child dreams the
subject matter of which was suggested by Dr. Ermacora
himself. Stringent precautions were taken to prevent any
normal communication between the child and her cousin.
For instance, on November 9, 1892, Dr. Ermacora, speaking
to “Elvira” when the medium was in trance, proposed that
the child should have the following dream that night:
Angelina [the child percipient], with Signorina Maria [the
medium], would be at the window of her own room, and would look
towards the river. A lamb would be grazing on the bank. A boat
loaded with apples would pass, conducted by one boatman. He
would stop close to the iron bridge, and get out to drink at
the inn. While the boat was unguarded the lamb would jump in and
begin to eat the apples, which would make Angelina laugh very much.
How well “Elvira” succeeded may be gathered from
Dr. Ermacora’s statement of November 10th:
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About 4 P.M. I called to discover the results. I saw Signora
Annetta [the medium’s mother] first, and she was convinced that
no communication had been possible between the child and Signorina
Maria till the morning. Angelina told her the dream before Signorina
Maria was awake. It is useless to repeat it, as it corresponds almost
exactly to the programme. I say almost, because there are two points
of difference which are precisely what render the results most inter-
esting. One is that Angelina called the animal which ate the apples
a “light-coloured dog,” instead of a “lamb.” Now the child, being
a Venetian, had not seen any lambs, and when she saw one [in the
dream], she naturally baptised it in her own fashion. The other point
of difference is that she did not say where the boatman had gone, and,
when questioned on the point on my arrival, she could not explain
it, though she remembered the dream perfectly, According to what
was said above [that is, if the medium suggests the dream verbally
to the child, it is improbable that she will omit the particular about
the inn and even less likely that she will call the lamb a “‘light-
coloured dog’’], these two particulars favour the hypothesis that the
child sees the scene, instead of simply hearing it described.
The Groningen investigators found that their highly
gifted subject fell naturally into a passive and relaxed state,
which was evidently a powerful aid to him; they demon-
strated by the galvanic skin reflex (electrical changes in
the skin) that the subject could in fact report rather accur-
ately when he achieved this state of relaxation (8). Esta-
brooks, after a year of hypnotic work with Harvard stu-
dents, determined to use a waking, but casual state; not only
was there to be no concentration, the subjects were first
shown card-tricks and then told simply to guess cards (9).
In view of all this, we naturally turn to see what can be
learned from the hypnotic state. As usually induced, it is
a relaxed, sleep-like state, far indeed from waking, concen-
trated activity, and seeming to lend itself well to laboratory
use in psychical research. There appear to be a number of
major pieces of evidence suggesting that the hypnotic state
is highly favorable.
Among these, we may refer to the series of hypnotic
experiments known as the “Brighton Experiments.” These
are reported on at length in a paper published in 1889 by
Concentration Versus Relaxation [7
Professor and Mrs. Sidgwick and Mr. G. A. Smith (Proc.
S.P.R., Vol. VI, pp. 128-170) and in a later one (1892)
by Mrs. Sidgwick and Miss Alice Johnson (Proc. S.P.R.,
Vol. VIII, pp. 536-596). The series should be studied in
its entirety; we will quote here one typical experiment, as
summarized and commented upon by Mrs. Sidgwick in her
paper, “On Hindrances and Complications in Telepathic
Communication” (Proc. S.P.R., Vol. XXXIV, pp. 51-52):
In the one to be now quoted, the elements of the picture* emerged
in a piecemeal manner, but each was definite when it came. The
subject was A sandwichman with advertisement of a play. The per-
cipient—P.—said, “Something like letter A—stroke there, then
there.” I [Mrs. Sidgwick] said, “Well, perhaps it will become
clearer.” P. continued, “Something like a head on the top of it; a V
upside down—two legs and then a head. A man with two boards—
looks like a man that goes about the streets with two boards. I can
gee a head at the top and the body and legs between the boards. I
couldn’t see what was written on the boards, because the edges were
turned towards me.” This case is interesting, because notwithstanding
the gradual emergence and tardy understanding of the hallucinatory
picture there is strong reason to think that it was the idea of a
sandwich man, and not a copy of the agent's mental image, that
reached the subliminal stratum of the percipient’s mind. For the
agent—Mr. Smith—stated afterwards that he had pictured to him-
self the man and one board facing him. And this was the natural
way to think of it, since the subject set included the advertisement
of a play, which of course would only be seen if the board faced the
spectator. The percipient’s impression was incomplete.
Moreover, there is the somewhat more _Spontaneous
activity of the hypnotized subject in “traveling clairvoy-
ance”; the subject, upon instruction, imagines himself travel-
ing to a distant point, and reports what he sees, the report
being later checked against the distant reality. As an ex-
ample of traveling clairvoyance, we condense from a paper
ipi i r. G. A. Smith, and was then
divas Sut end wo a St thai he would presently see a
picture thereon which he would describe. Mr. Smith concentrated his —
an imaginary picture, the subject matter of which had been chosen by Mrs. Sidg-
“wick or Miss Johnson and communicated to Mr. Smith in writing, After
hypnosis was achieved, Mrs. Sidgwick talked to the percipient when necessary,
Mr. Smith remaining silent.
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by Dr. Alfred Backman, of Kalmar Swed P
Vol. VII, 1891-92, pp. 207-210): | en (Proc. S.P.R.,
Dr. Backman's Subject, Alma, was a fourteen year old girl whom
he was treating (in hypnosis) for heart disease. He had made some
experiments in thought-transference with her and was encouraged
bya number of successes. In April of 1890, he received a letter from
a Dr, Kjellman, of Stockholm, Suggesting that on the following day
Dr. Backman would request Alma, when in hypnotic trance, to “find”
a certain Dr. von B., whom she knew, and to describe the room in
which he would be sitting, the other persons present, the arrangement
of the furniture, and so forth. Dr. Kjellman further added that
something not usually there would be hung from the chandelier in
order to make the experiment more crucial. Dr. Kjellman’s appear-
ance, as well as his apartment, was unknown to both Dr. Backman
and his subject. Alma, in trance, “went” to the apartment and, when
questioned, gave a description of the room, She said, when asked to
look at the chandelier, that there was no “chandelier,” but somethi
more like a lamp with something hanging from it. She deentibed 3:
as being long and narrow, of white metal, with some red stuff around
it. She did not know what it was, but after being wakened said she
thought it probably was a pair of scissors or a paper knife fixed to
the chandelier with a handkerchief. She also mentioned many details
concerning the furnishings of the room, the people present, and so
forth. Dr. Backman sent his notes to Dr. Kjellman, who replied that
though in some respects Alma’s description of the interior of his
apartment had been accurate, it was in other respects incorrect and
could only be regarded as inconclusive. “But,” he added, “her state-
ment that the object was hanging in a lamp, not a chandelier was
right. It was both a lamp and a chandelier, and the lamp was drawn
_ down a long way under the chandelier . . . There was really hangin
in the chandelier a large pair of paper-scissors, fixed by an indiae
rubber otoscope, and with a tea-rose and some forget-me-nots in
one of the handles of the scissors . . . It seems clear to me that she
saw something, but she must have been confused by a number of
ideas arising from the operation of her own brain.”
Lastly, we want to refer to the beautiful series of tele-
pathic experiments, using four experimental subjects, by
Dr. Carl Bruck. A report on these experiments was pub-
lished in German in 1925, and, not being available in English
merits a fuller description here. Bruck systematically com-
pared the achievements of his subjects while awake and
Concentration Versus Relaxation |9
while in hypnosis. The material consisted of drawings and
photographs made ready in a room adjoining the experi-
mental room and in many instances placed within a port-
folio before being brought into the experimental room.
Thus sensory cues as sources of error seem well excluded.
txamples* of simple direct hits are the following:
. .. These experiments were done simultaneously with R. and Z.,
using the drawing of a ladder as original. The two subjects were
placed about ten feet apart and it was not possible that they could
have seen each other’s drawings. They were hypnotized simultane-
ously and were instructed to aim at the original (unknown to both
of them, and to the witnesses of the experiment) which had been
placed in the portfolio. These simultaneous attempts succeeded
extremely well under conditions which forestall all objections. Fig.
7—Original, Fig. 7a—R.’s copy, Fig. 7b—Z.’s copy.
In the results it is to be noted that R. draws well and is better
endowed telepathically than Z. He not only reproduces the original
in remote details of form and relation to its surroundings—he also
occupies himself as somnambulistic “medium,’’ composing a supple-
mentary still-life picture with a bucket in the background. In contrast,
Z, got the solution, but was limited to the elementary concept
“ladder.” Nevertheless, a visual approximation cannot be denied even
by one who has not the original for comparison.
Especially instructive is the evidence that real veridical
flashes come in the hypnotic state, but that they are often
either elaborated by supplementary associations and by ef-
forts to attribute meaning to the impression received, or
over-simplified to the point where little but a formal re-
semblance to the original remains. For example:
This sitting took place on September 4, 1922, at my [Dr. Bruck’s]
residence. It was a simultaneous experiment with R. and Z. both
aiming at the same original, the drawing of a cup and saucer, R. was
hypnotized by me and Z., sitting at a distance, by Dr. von Rutkowski.
Dr. Rutkowski had not seen the drawing, which was kept in the
portfolio throughout the experiment. I gave only the brief suggestion
that the material would gradually emerge from a dark bank of clouds
in such a way as to be copied by both subjects. R. and Z. were so
* The passages in small type have been freely translated and paraphrased
from Bruck's original work, Experimentelle Telepathie, Julius Piittmann,
Stuttgart, 1925.
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placed that they could not have influenced each other's drawings.
Fig. 3—Original, Fig. 3a—R.’s copy, Fig. 3b—Z.’s copy.
Both these successful results show the possibilities of variation
in the telepathic process with respect to numerous details. R.’s draw-
ing shows the familiar auto-suggested motor supplement, namely, a
teaspoon. The cup agrees with the original in narrowing towards the
top, with the handle on the right side. In addition, however, there
is the following, which one might be inclined to apply in developing
a general theory of the parapsychic processes: the original is a
drawing of one of the cups from my own coffee service (unknown
to both R. and Z.). I drew the original rather badly, for the cup is
really more delicate and slender. R. has apparently not perceived
my rather plump rendering, holding instead to the original form of
the cup. It is thus not impossible (although beyond capability of
proof) to suppose that “over my head” a direct clairvoyance of the
cup occurred. The indistinct line of demarcation between telepathy
and clairvoyance, which is frequently pointed out, justifies the raising
of this question. No certainty can be reached, however, since one
might attribute the result to R.’s superior artistic skill. His sense for
style may also have been responsible for the addition of the spoon.
In this connection, compare R.'s drawing in the [above] experiment,
in which the original was a drawing of a ladder.
On the other hand, there is too little detail in Z.’s simultaneous
drawing. It does show a crudely drawn cup that narrows towards
the top, with a handle to the right, but the saucer is lacking alto-
gether. As we found in later experiments, especially with R., this
omission of complete elements of form, even to the point of leaving
out as much as half of the picture, is due to a tendency towards
simplification which may permit us to refer to a systematic conception
of “partial telepathy.”
In some instances, the subject draws what the experi-
menter has prepared for use in the next experiment—ma-
terial previously drawn and lying concealed in the portfolio.
An interesting example is as follows:
At the start of the experiment [taking place on September 11, 1922,
with R. in hypnosis], one drawing was lying on top of the portfolio
and the others [three of them] were contained within it. I had no
special methodological purpose in doing this, but to this procedure
a surprising and theoretically significant result is due. The picture
lying on the portfolio represented a medicine bottle with a stopper,
and I looked at it fixedly from time to time during the experiment.
Fig. 4—first Original, Fig. 4a—copy, Fig. 4b—second Original.
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Concentration Versus Relaxation {11
R. now proceeded to draw what was, for me at least, knowing the
original, a completely correct response, namely, the upper rim of
the bottle neck with the stopper in place; as can be seen in the
reproductions of the original and the copy, he even sketched in the
shading that appears on the right side of the stopper. Then he ceased
drawing and let the pencil drop from his hand as an indication that
he had done all he could. Since I, however, had to regard the experi-
ment as incomplete, I insisted that R. should continue to draw if
anything further came to him. I admit this is a questionable procedure
which, since the bottle had failed to appear in complete form, might
end in a suggestive misleading of the subject into a spurious result.
To my surprise, however, R. did not follow this lead; he left the
first picture unfinished and beneath the neck of the bottle drew a
completely new picture. With energetic strokes, indicating a new
attitude to the task, he drew, beginning at the top, a sketch of a
street lamp. A drawing of a street lamp was in fact the second of
the three other drawings which lay in the portfolio. They were
entirely out of sight of all those present, including several medical
men who had come to witness the experiments.
This new telepathic drawing reveals the exact details of the
original. Note that the two enlargements or bulges in the lamp post
appear in the correct places relative to each other and to the lamp
itself. At the same time, the decorative beams of light which the
subject added in his drawing indicate his free creative artistic fantasy.
The experiment yields, so far as we know, a novel result. Instead
of the postponing of a correct telepathic impression, it presents, under
the guise of an apparent partial failure, the solution of a task which
has been arranged for a later experiment.
In other instances the subject draws the material which
had served as experimental material in the preceding ex-
periment, the subject, of course, not having been told what
the material was:
The sitting of November 17, 1922, took place at my residence and
included experiments 38-45. R. alone was present . . - Experiments
40 and 41 were Portfolio* experiments using the same original
(snapshots of two neckties—one a four-in-hand, the other a bow tie).
Two failures resulted; nevertheless, the bow tie manifested itself in
the next experiment but one (number 43 in the same sitting)—a
typical telepathic latency, the more common form of temporal dis-
placement .. .
* Portfolio experiment: original concealed within the portfolio.
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Experiment 43 is the one which continues the theme of experi-
ments 40 and 41 (same sitting). A snapshot of a pair of socks was
used in an Open* hypnotic experiment. The result, negative
from a formal viewpoint, displays, to the last detail, an exact repro-
duction of the bow tie which had been used as original in experiments
40-41. Fig. 14—Original, Fig. 14a—copy, Fig. 15—Original for
experiments 40 and 41, bow tie.
Naturally, R. had not been informed of his failure in experiments
40-41. The picture of the bow tie had been carefully put aside and
was thus unknown to him,
In spite of all this evidence, however, Bruck will not
allow himself to formulate any generalizations regarding
the value of the hypnotic state versus the waking state in
telepathic experimentation. He compares the whole series
of hypnotic results with the whole series of waking results
with the same percipient, and indicates that the marked suc-
cesses are about as frequent in the one state as in the other.
The real value of the hypnotic state may lie, not in the
hypnosis as such, but in the tendency of hypnosis to simplify
consciousness, free it from self-consciousness, fixate it upon
the experimenter, and hence upon the task which the ex-
perimenter assigns. The success of waking telepathic experi-
ments, such as those reported by Bruck, is very possibly
due to basic favorable attitudes previously developed in
hypnosis. These attitudes appear to be highly focalized, yet
occurring in a relaxed state.
If this be so, we may begin to see here the resolution of
the paradox which we have discussed. The hypnotic subject
is not really less “concentrated,” if by concentration one
means the unitary motivated orientation towards a task; the
very fact that he is relaxed may mean that he is free of
practical preoccupations: it is the experimental task alone
that is real to him. So in experiments in normal psychology.
Ruger (10) found long ago that a lack of self-awareness,
or, as he says, the development of a pure “problem attitude,”
was immeasurably superior, in so far as the learning process
is concerned, to a competitive, self-conscious, or self-defen-
sive attitude. ;
* Open Experiment: original lying on top of the portfolio.
Concentration Versus Relaxation [13
In a paper on recent hypnotic experiments, Leuha (11)
has offered evidence which suggests that hypnosis is io
principally a question of suggestibility as such, but of oe .
fication of consciousness, freedom from interference t iroug
over-complex stimulation, or freedom f rom free i :
and, we might add, freedom from the conflict which vo ret
as a directive and repressive process, usually invo Na
Leuba’s hypothesis a so relevant to our present pro
at we quote from his paper: i
* og i sania, however, that the most fundamental ei
of the hypnotic state is not suggestibility, though recess Pip
is usually present, but the limitation of pe cee fe ae :
of the subject and “ consequat ie of attention
i ided by the experime Binks ;
Eee eel fisseabe ts the induction of hypnosis—quiet =
roundings, muscular relaxation, concentration on some gery
stimulus—are all conducive to the dissipation of muscular mort an
to the narrowing of attention. I venture to suggest the hypo mes
that the fundamental characteristic of the hypnotic state of
limitation of a self-initiated mental life, and that suggestibility flows
from this limitation as a secondary phenomenon. i
In the light of such observations, the state of mind of
some of Rhine’s subjects, in which there is a slight dissocia-
tion, a slight disorientation, a loss of contact with the ea
roundings, makes sense; and it should be added that as a
experimental material becomes more complex, as in oe
case of the free drawings of Bruck, the dissociation, t :
freedom from interference, must perforce be longer an
more profound than when the task simply consists in guess-
ing one out of five possible symbols (as in Rhine’s, or
Tyrrell’s, procedure). This more profound and more me
plete dissociation is what Mrs. Sinclair reports (12), an
what Warcollier appears to have found in his subjects. In-
deed, some of the best telepathic cases seem to involve a
sociation, and the limitation of consciousness to a single
slowly developing idea, in both agent and tice,
amples that illustrate i Sn may be found in Warcollier’s
k, Experimental Telepathy.
es aes inconsistency, then, between the value of
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concentration and the value of relaxation appears to stem
from failure to specify what is concentrated, what is relaxed.
The fact seems to be that the everyday attitude of perceiv-
ing is directed towards the immediate world of time and
space to which we are normally adjusted, and unless one
learns how to break this attitude, more concentration does
nothing but focus the normal perception. Unconsciously,
however, and without effort, one may be oriented towards
events with which our normal perception is unable to make
contact, and if this orientation is strongly motivated, con-
tact may be established in another way—subconsciously—
provided only that the conscious processes do not interfere.
Some individuals can consciously train themselves to hold
their conscious processes in leash, or even to give the deeper
processes the “go” signal; in other individuals the training
process proceeds unwittingly, perhaps through the deeper
satisfaction and self-fulfillment which subconscious proc-
esses release.
We are perforce reminded here of Freud’s basic distinc-
tion between the two ways of thinking: one may think with-
in the framework of practical necessity, or through free,
autonomous self-realizing processes which have nothing to
do with “reality.” We should, of course, have to add to
Freud’s theory, since it is not defiance of reality, but con-
tact with another aspect of reality that is involved. Basically,
however, we have Freud to thank for the conception of
genuine thought which is not directed towards a goal de-
fined in terms of our immediate direct relation to the space
and time in which we are immersed; and, even more im-
portant, we have him to thank for tools which we may use
in attempting an explanation of this little-understood capac-
ity of the unconscious. Perhaps we shall find that the
effective drive to paranormal processes—the real orientation
to the task which makes paranormal processes’ possible—
stems from some deep personal concern with a means of
breaking through the “prison walls” of immediate space
and time, and that the ability to succeed in relation to specific
material (while failing with other material) arises from
Concentration Versus Relaxation [15
the immediate or the symbolic value of the person or thing
with which contact must be made. Veridical dreams of
events occurring to loved ones would, then, be based on two
important factors: a need to make contact, and freedom
from conscious interference.
Volition and concentration would thus prove to be utterly
irrelevant except in so far as experimenters, psychoanalysts,
or educators can guide the individual to voluntary use of
his conscious energies in such fashion as to set free, and,
perhaps in some slight measure, to stimulate the deeper
wishes for paranormal contact which lie in the depths of
the personality.
This hypothesis, incapable of being verified at present,
may none the less be of some immediate use in research since
it focusses upon three needs: (1) The need to study the
ways in which conscious concentration acts upon deeper
processes, (2) the need to study the general unconscious
attitudes of the experimental subject, and (3) the need to
understand the specific unconscious attitudes which account
for the short-term variations of scoring ability in one ex-
perimental subject.
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